All Henri de toulouse-lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 

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Henri de toulouse-lautrec La Goulue,Dance at the Moulin Rouge oil on canvas


La Goulue,Dance at the Moulin Rouge
La Goulue,Dance at the Moulin Rouge
Painting ID::  40829
  mk156 1891 191x117cm
  mk156 1891 191x117cm

Height    Width


  INS/CM       Quality

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Henri de toulouse-lautrec At The Salon Rue des Moulins oil on canvas


At The Salon Rue des Moulins
At The Salon Rue des Moulins
Painting ID::  40833
  mk156 1894 115.5x132.5cm
  mk156 1894 115.5x132.5cm

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Henri de toulouse-lautrec Jane Avril to the Jardin the Paris oil on canvas


Jane Avril to the Jardin the Paris
Jane Avril to the Jardin the Paris
Painting ID::  42795
  MK169 1893 Litho 129x94cm Musee the drawer Publicite Paris
  MK169 1893 Litho 129x94cm Musee the drawer Publicite Paris

Height    Width


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Henri de toulouse-lautrec Woman Seated in a Garden oil on canvas


Woman Seated in a Garden
Woman Seated in a Garden
Painting ID::  43350
  mk170 1891 Oil on millboard 66.7x52.8cm
  mk170 1891 Oil on millboard 66.7x52.8cm

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Henri de toulouse-lautrec The Jockey oil on canvas


The Jockey
The Jockey
Painting ID::  45909
  mk178 1899 color lithographies 51.8x36.2cm
  mk178 1899 color lithographies 51.8x36.2cm

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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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